Discussion:
John Blackburn - "Moonlight in Vermont" Composer dead at 93
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t***@iwvisp.com
2006-11-22 21:20:15 UTC
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John M. Blackburn, 93, of Newport died Nov. 15, 2006.

He was born Oct. 19, 1913 in Massilon, Ohio.


He was raised in Shaker Heights, a suburb of Cleveland, Ohio, in a
family that loved music and poetry. His mother, a Christian Science
reader, wrote music, and her two sisters were writers.

Blackburn traveled with a puppet theater that brought him to Vermont,
the state that inspired the lyrics he wrote for the popular song
"Moonlight in Vermont," with music composed by Karl Suessdorf. The song
was introduced by Margaret Whiting in 1944 and became her signature
tune.

He served as Western Reserve University Director at the Cleveland
Playhouse; and taught fellowship and in the drama department at
Bennington College in Bennington, Vt., for two years.

In the early 1940s, he moved to Southern California where he worked at
Lockheed. He and his first wife, a classically trained pianist, were
active participants in the Pasadena Playhouse. He was an actor and
director at the Pasadena Playhouse for three years.

After World War II, he and his wife established Selective Records,
recording and managing R&B musicians. Their independent label was the
first to record The Flames in 1949, but success was short-lived and by
1950 the label was defunct.

He worked for the space division at Rockwell International during the
Gemini and Apollo space shuttle years.

He retired in 1976. In retirement, he established the Downey Marionette
Theatre in conjunction with the Downey Theatre in Downey, Calif. He
also acted and directed for the stage at the Downey Theatre and the
Ana-Majeska Theatre in Anaheim, Calif., and was an active member of the
Downey Optimist Club.

While "Moonlight in Vermont" was his most recognized hit, "Need You,"
written in 1949 with Teepee Mitchell and Lou Porter, was recorded by Jo
Stafford and Gordon McRae. The song remained on the Billboard charts
for 13 weeks and peaked at number four and was picked up by several
country singers, including Sonny James and Slim Whitman.

In 1957, Oscar Peterson recorded Blackburn's "Susquehanna" which was
reissued in 2005 on the CD "Soft Sands."

John collaborated with Burt Carroll, Skip O'Donnell, and Dave Cole,
among countless others.

He settled in Lincoln County in the mid-1990s.

Survivors include his wife, Pricilla W. Blackburn of Newport; sons and
daughters-in-law, Jack Blackburn of Seattle, Wash., Rick and Jill
Blackburn of Leavenworth, Wash., and John and Cathy Wareham of Newport;
daughters and son-in-law, Emalee and Larry Whitish of Camptonville,
Calif., and Leslie Ohnstad; four grandchildren, Christopher Andrew
Blackburn, Kirsten Ann Blackburn, Johanna Haile, and Brandy Wareham;
and two great-grandchildren, Jillian Haile and Cassidy Haile.

A memorial service will be held at 2 p.m. Monday at Bateman Funeral
Home in Newport. The family suggests memorial contributions to a local
Optimist Club Childhood Cancer Campaign; the Pacific Communities Health
District Foundation, 930 SW Abbey_St., Newport Ore. 97365, or the
American Heart Association, Pacific Mountain Affiliate, 710 Second Ave
Suite 900,_Seattle, Wash. 98104.


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Is it just me or do "Moonlight in Vermont" and Autumn in New York"
sound like different versions of the same song?

Ray Arthur
DianeE
2006-11-23 22:47:55 UTC
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Post by t***@iwvisp.com
Is it just me or do "Moonlight in Vermont" and Autumn in New York"
sound like different versions of the same song?
---------------
No, I always thought that too.
DianeE
Paulie Peanuts
2006-11-24 00:54:17 UTC
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Post by DianeE
Post by t***@iwvisp.com
Is it just me or do "Moonlight in Vermont" and Autumn in New York"
sound like different versions of the same song?
---------------
No, I always thought that too.
DianeE
I prefer "Johnny Cakes In New Hampshire."
Gary Myers
2006-11-24 05:41:59 UTC
Permalink
Is it just me or do "Moonlight in Vermont" and Autumn in New York" >
I'm sure this has come up before in one of these groups. There are a lot of
similarities in that first line: descending melody with the same # of
syllables, the word "in" in the same place, etc., but:
MIV begins on "la" of the scale on the tonic chord and that first line ends
on "mi" on the ii chord; AINY begins on "mi" on the ii chord and ends on
"sol". And, if it were not for those other similarities in that line, one
would probably not notice anything else significantly similar in the songs.

AINY is one of most harmonically complex and unusual pop-type songs that I
know.
And, I love the fact that MIV has no rhymes.

gem
y***@yahoo.com
2006-11-28 20:52:59 UTC
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Post by DianeE
Post by t***@iwvisp.com
Is it just me or do "Moonlight in Vermont" and Autumn in New York"
sound like different versions of the same song?
---------------
No, I always thought that too.
DianeE
There is a difference, quite noticeable, even to an untrained ear like
mine:

AINY is tinged with sadness in the notes as the reading of the song
goes forward and is most definitely urban - and specifically Manhattan,
the urban to end all urbans. MIV is not an unhappy piece, but a quiet
celebration of content, evoking a snow-laden evening of bright stars
and bracing atmosphere, where one is snug inside a pictureque dwelling
with a roaring fire, out among the stark colors of the North Country
breaking up the pattern of white, with white smoke poking out from
chimneys across the rolling hillsides in that bracing atmosphere; even
though the song lyrics speak of the blooming days of spring and summer.
I see a bright winter's moon in that starlit Vermont sky. - L.I.
y***@yahoo.com
2006-11-28 20:55:42 UTC
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Here is a comment from Margaret Whiting herself, signing the Johnny
Mercer (site) guestbook, in 1998:

[open quote]

Name: Margaret Whiting
Location: NYC, NYDate: Monday, January 12, 1998 at 12:14:46
Comments:

"I never realized when I was a little girl learning how to sing that
the man who was helping me was one of the top lyricists in the
business. He knew the magic of writing a very special lyric -- or
appreciated a good lyric written by Alan Lerner, Irving Berlin or Larry
Hart. He was a natural, and taught me a way to demonstrate lyrics. For
example, as the head of Capitol Records, he was our A&R man in the
beginning. And he found me a song that he was in love with by two
writers, Johnny Blackburn and Karl Suessdorf, who wrote a very poetic
song about the charms of Vermont. Johnny had heard that song and
thought it was a natural for me. I naively asked him, "How can I sing a
song about a place I've never been to?". He said' "I haven't either,
but we'll use our imagination." So he had me imagine the four seasons,
and what each season would be like there.,.the warmth, the chill, what
it was like to ski there, the smell of maple syrup. All these things
conjured up a place with great memories that helped me sing the song.
The song, of course, was "Moonlight In Vermont," and became a signature
song for me..."

[end partial quote]

L.I. final comment: I've never heard a better version than Whiting's,
who had the huge hit with it, # 1 in most places, I imagine, late in
the 1940's, or any version that came close to it.

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