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NAT "KING" COLE (Capitol 2949; F-2949)
“HAJJI BABA” (3:08) [Remick ASCAP—Washington, Tiomkin]
“UNBELIEVABLE” (3:01) [E. H. Morris ASCAP—Livingston, Gordon]
The “King” of the wax world, Nat “King” Cole comes up with a two-sider
that can become a twin hit for the song stylist. Currently riding high
with his tremendous reading of “Smile,” Nat’s two new ones are as
different as day and night. “Hajji Baba” is an Arabic type arrangement
of an interesting love song. The song tells the story of the man Hajji
Baba who was always in love. It’s a new approach to a love song that has
enough gimmicks and beauty to send it up the hit ladder. The
instrumental assist and the effect created by the chorus is very
exciting. Equally outstanding is the sparkling ballad on the coupling
tagged “Unbelievable.” It’s set to a waltz tempo and features a
fascinating wedding of melody and lyrics. It’s Nat at his best. Both
ends bear watching. They’re loaded with potential.
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THE CASH BOX SLEEPER OF THE WEEK
MILLS BROTHERS (Decca 29276; 9-29276)
“YOU’RE NOBODY TILL SOMEBODY LOVES YOU” (2:20) [Southern ASCAP—Morgan,
Stock, Cavanaugh]
“EV’RY SECOND OF” (2:35) [Jefferson ASCAP—Evans, Ebb, Klein]
It may be asking too much, but from the sound of their latest release,
the Mills Brothers may have another “Paper Doll”. The boys get a
tremendous backing and arrangement from Sy Oliver as they rhythm through
a terrific new piece of love song material called “You’re Nobody Till
Somebody Loves You”. Every year, the Mills men hit the top of the charts
with at least one disk. This one shows all indications of being their
big smash of ’54. “Ev’ry Second Of” is another cute ditty smoothly
handled by the quartet. Keep an eye on the top half.
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THE DeMARCO SISTERS (Decca 29199; 9-29299)
“LOVE ME” (2:57) [Hill & Range BMI—Lieber, Stoller]
“JUST A GIRL THAT MEN FORGET” (2:23) [Mills ASCAP—Ralb, Garren, Dubin]
The DeMarco Sisters, whose tremendous talents were never properly
exploited, debut on the Decca label with a terrific recording of a solid
song that could send them right up into the top name class. Backed by a
wild Sy Oliver orking, the thrushes let loose on a sensational blues
number with fabulous results. It’s definitely their best job since they
began recording. The tune, “Love Me” was originally waxed in the blues
field and has since been cut for the pop market. This version, however,
has the qualities needed to send the song up there. “Just A Girl That
Men Forget” demonstrates the group’s versatility as it eases through
this slow waltz that jumps up at mid point. “Love Me” could be real big.
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THE LARKS (Lloyds 114; 45-114)
“OS-CA-LU-SKI-O” (2:30) [Bess BMI—Smith, Larkin, Edmonds]
The polished Larks come up with! cute little novelty that could make the
grade. It’s one of those happy things that always seems to please the
people. Could hit.
“FORGET IT” (2:46) [Bess BMI —Brooks, Smith]
A solid rhythm item, excellently arranged, is belted across in
commercial fashion by the men. Good material for the pop and blues
market.
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BILLY WARD & DOMINOES (Jubilee 5163; 45-5163)
“GIMMIE GIMMIE GIMMIE” (2:23) [Ward-Marks BMI—Ward]
Billy Ward and his Dominoes debut on the Jubilee label with a tremendous
piece of pop novelty material that could click fast. Piece really jumps.
Watch it.
“COME TO ME BABY” (2:26) [Ward-Marks BMI—Ward]
Another good jumper, this one more in the blues vein, is dished up by
the boys. Should do well in both markets.
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THE CASH BOX *AWARD O' THE WEEK*
RUTH BROWN (Atlantic 1044)
“MAMBO BABY” (2:39) [M & M BMI—Singleton, McCoy]
"SOMEBODY TOUCHED ME” (227) [Progressive BMI—Nugetre]
How much better than number one can you get. Ruth Brown, currently
sitting astride the Rhythm and Blues lists with “Oh What A Dream,” has a
delirious mambo item that should rocket through the nation’s charts in
record breaking time. Miss Brown, who knows what to do with a piece of
material, has a natural in “Mambo Baby” that should have the airwaves
and juke boxes mambo happy. Just to make sure that record sales have
been nailed to the mast, the deck has a “crazy” handclap effect that
lends the arrangement individuality. A must for r & b locations and a
whole hearted recommendation for any pop location. The flip, “Somebody
Touched Me,” is a slow rhythmic blues. Ruth Brown is fine and the
etching strong but we feel it will get lost in the big “Mambo Baby”
reception.
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THE DRIFTERS FEATURING CLYDE McPHATTER (Atlantic 1043)
“BIP BAM” (2:43) [Progressive BMI—Calhoun]
“SOMEDAY” (You’ll Want Me To Want You) (2:51) [Duchess BMI—Hodges]
The Drifters, featuring the most distinctive voice in the business, wax
a pair that will surely hypo the business. The lads etch a bouncer “Bip
Bam,” that has an infectious appeal sure to sell this platter. Item has
a solid beat, tasty lyrics, potent ork backing, and the group. The flip,
“Someday You’ll Want Me To Want You,” is the oldie with a new treatment.
McPhatter very effective on this slow tempo saccharine wax. Deck employs
a deep-deep bass recitation that acts as a counterfoil for the unique
McPhatter pipes. This is one of the best McPhatter solo efforts so far.
Could be a two sider.
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BILL “BASS” GORDON (Gee 12)
“BRING BACK MY BABY TO ME” (2:45) [Gordon, Shaw]
Bill “Bass” Gordon and his Colonials belt a blues jump with a zesty
performance. Strong deck.
“TWO LOVES HAVE I” (2:43) [Trivers, Murray]
Jump pretty handled with a distinctive and happy styling. Latin flavored
rhythm adds spice to the deck. A goodie that could rack up strong sales.
both sides -
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LINDA HAYES (Hollywood 1019)
“GRRR MAMBO” (2:35) [BMI —Myrtle Williams]
A pleasant mambo that should make a good buy for those interested in the
hot kick. Linda Hayes sings it in good style, the band keeps the beat
and a stretched gr-rr is added to the familiar Perez Prado grunt for
flavor. ©
“NON-COOPERATION” (2:40) [Golden State BMI—Williams]
Linda offers the woman’s viewpoint as she answers the recent half-way
hit, “Cooperation.” As always, Linda does a fine job.
I hope that Larry has this so that I can hear it.
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BILLY KING (Abbott 1002)
“WON’T YOU DO IT” (2:15) [Dandelion BMI—Lewis]
Deck has a pop sound and is delivered in the manner of the 1920’s with a
college football game and raccoon coat flavor. A bouncy item.
https://archive.org/details/78_wont-you-do-it_billy-king-jack-lewis_gbia0434048a?webamp=default
“WANNA CARVE MY ’NI- TIALS IN THE DINGER IN THE BELL” (1:55) [Dandelion
BMI —Gilbert, Gilbert]
King pulls out the stops in this quick beat ditty and socks out a potent
wax. Could get strong action with proper exposure.
https://archive.org/details/78_wanna-carve-my-nitials-in-the-dinger-in-the-bell_billy-king-jack-gilbert-mary-gilb_gbia0434048b?webamp=default
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THE OPALS (Apollo 462)
“OH BUT SHE DID” (2:42) [Bess BMI—Larkin Smith]
The lads, formerly known as The Crystals on Luna, and whose “Come To Me
Darling” is still selling big, come up with a middle tempo bouncer that
looks like a strong follow up. Lyrics tell of how he has become
disillusioned with his girl. Group can handle a tune and lyrics
potently.
“MY HEART’S DESIRE” (2:30) [Bess BMI—Wade]
The Opals melt a slow blues ballad sweetly. Strong coupling that could
make noise.
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SONNY CARTER (KING 4739)
“THERE IS NO GREATER LOVE” (3:02) [Isham Jones ASCAP—Jones, Symes]
Sonny is of the big voice, Eckstinish school, and he handles the pretty
melody with swoon calculated effect. Pleasant disking.
“OH BABY” (2:32) [Armo BMI—Cai’ter, Baker]
Carter sings amiddle tempo bouncer with romantic lyrics and a light
hearted approach. Good listening with a dance tempo.
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SONS OF THE SOUTH (Excello 2045)
“I’M WAITING AND WATCHING” (2:34) [Excellorec BMI-D. C. Smith]
The Sons of the South perform in syncopated style a middle tempo
rhythmic religious piece. An exciting wax that will appeal to the gospel
buyer.
“ONE DAY” (2:50) [Excellorec Jessie White]
Group has a good sound and styling. Excellent coupling for the upper
deck. Both potent prospects.
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T-BONE WALKER (Imperial 412)
“HIGH SOCIETY” (2:50) [Commodore BMI—White]
That old blues man, T-Bone Walker sings aslow southern style blues about
his society woman. Ok fare for the Walker followers.
“LOVE IS JUST A GAMBLE” (2:43) [Commodore BMI—Hale]
A similar piece of material suited to T-Bone's talents, and he gives it
his usual effective treatment.
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ELLA JOHNSON (Mercury 70459)
“WELL DO IT” (2:23) [Brent Wright]
Ella Johnson gets her first single billing on this release. Gal is good
as she sings this middle up-tempo bit. The chantress needles her guy
singing the lyrics convincingly. Will get lots of action.
“IT USED TO HURT ME” (2:41) [Tamasa BMI—Kirkland, Thomas]
A similar tempo. Gal is burdened with the lyingest man but just can’t
quit him. Driving orking in the break. Tasty plate.
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THE EAGLES (Mercury 70464)
"(Will You, Won’t You, Can’t You) DON’T YOU WANNA BE MINE” (2:20) [Brent
BMI—Kirkland]
“SUCH A FOOL” (2:32) [Munson BMI—Rogers-Rogers]
The Eagles have what looks like a potent contender in “Don’t You Wanna
Be Mine.” The middle tempo rocker is enthusiastically dished out by the
smooth working group. The lads have the verve, the feeling and the
delivery to put the tune over. Romantic lyrics, an easy to remember
tune, and the catch phrase, “will you, won’t you, can’t you, don’t you”
makes this a juke box natural. The flip, “Such A Fool,” is a more
restrained bounce, expertly performed. The more melodic of the two
sides. However, we like the chances of the top deck.
both sides -
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THE PILGRIM TRAVELERS (Specialty 872)
“IT IS NO SECRET” (2:30) [Duches BMI—S. Hamblen]
The Pilgrim Travelers blend on a Stuart Hamblen tune, slow, soft and
reserved. Potent religious wax.
“LOOK DOWN THAT LONESOME ROAD” (2:55) [Paramount ASCAP—Austin, Shikret]
A beautiful and stirring rendition of the familiar piece. This one will
appeal to everyone.
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THE SWANS (Ballad 1006)
“NIGHT TRAIN” (2:05) [Soli BMI—Washington, Forrest, Simpkins]
The tune that was a Jimmy Forrest hit several seasons back could make it
again via this version. The Swans dish up the tune effectively. Proper
exposure could make it go a long way.
“IT’S A MUST” (2:35) [Soli BMI—Washington]
The group bounces merrily through a quick beat romantic bouncer. Good
sound and treatment. This group loaded with potential.
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MAMIE (Miss Good Blues) THOMAS (MGM K11826)
“USE WHAT I’M USIN’ ” (2:45) [St. Louis BMI—Thomas, Kirkland]
Mamie Thomas sings a slow blues in traditional style. Mamie has a warm
style and comes through ok, as she gives advice on how to treat your
man.
“MISS GOOD BLUES” (2:50) [Cherio BMI—Thomas, Kirkland]
Miss Thomas has a bouncy hunk of blues material on the flip and she
handles the item with a zestful bit of shouting.
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MAHALIA JACKSON (Apollo 289)
“WHAT THEN” (2:51) [Bess BMI]
The great talents of Mahalia Jackson displayed on this slow tempo
religious number. A sincere and moving waxing. Thrilling voice.
“WALKING TO JERUSALEM” (3:05) [Bess BMI]
A syncopated religious side with Mahalia performing as only she can. Two
extremely fine sides that should find a strong sales reaction.
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NATIONAL CLOUDS OF JOY (Herald 2002)
“COMING HOME” (2:55) [Angel BMI]
The National Clouds of Joy perform effectively on this slow shouty
spiritual. Lead works an emotional call against a softly subdued
answering chorus. Good religious wax.
“JESUS MAKE ME FEEL ALRIGHT” (2:30) [Angel BMI—E. Wright]
A middle tempo jump spiritual dished up with excitement. Good group and
good deck.
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LESTER WILLIAMS (Duke 131)
“CRAZY ’BOUT YOU BABY” (2:45) [Lion BMI—Martha Williams]
Lester Williams rocks out a driving ditty in strong style. Deck has lots
of potential and could grab a piece of action.
“DON’T TAKE YOUR LOVE FROM ME” (2:49) [Lion BMI—Martha Williams]
Williams pleads with his pretty baby, “don’t take your love from me.”
“I’ll give you money, buy you diamonds and pearls.” A slow blues gustily
shouted by the chanter. Ok deck.
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THE CASH BOX BULLSEYE OF THE WEEK
CARL SMITH (Columbia 21317; 4-21317)
“MORE THAN ANYTHING ELSE IN THE WORLD” (2:25) [Hill & Range BMI—L.
Payne]
“LOOSE TALK” (2:28) [Central BMI—Lucas, Hart]
Carl Smith keeps turning out top sellers, one after another, and his
latest release bids fair to follow suit. The chanter leads off with a
beautiful, middle tempo romantic ballad dubbed “More Than Anything Else
In The World”. On it. Smith hands in a top drawer vocal interpretation
of the expressive lyrics. "The under siding, “Loose 'Talk”, is a change
of pace, quick beat piece dished up in tantalizing fashion by the
skillful performer. It’s a powerful two-sider that should make the hit
brackets in short order.
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