Bruce
2024-11-20 17:53:00 UTC
JULY 13, 1957
https://www.worldradiohistory.com/Archive-All-Music/Cash-Box/50s/1957/CB-1957-07-13.pdf
TONY BENNETT (Columbia 40965)
“I AM” (2:18) [Joy ASCAP—Shuman, Edwards]
“IN THE MIDDLE OF AN ISLAND” (2:05) [E. H. Morris ASCAP—Vamick,
Acquaviva]
“I Am” could be Tony Bennett’s biggest side in years. It’s a brilliant
dramatic love song which the star presents with great depth and heart.
Beautifully written composition in which the songster describes his
insignificance in the eyes of the world, as compared to his tremendous
importance in the eyes of his love. Side has a religious feeling neatly
woven into an emotional love lyric and set against a stirring
instrumental backing. Watch this superbly composed love song; it’s gotta
catch on. Bottom deck, “In The Middle Of An Island” is a Hawaiian ditty
with a rock and roll rhythm. Contagious romancer.
-------------------------------------------------------------------------------------------------------------
ANNISTEEN ALLEN (Decca 30368)
“ROUGH LOVER” (2:41) [Danby BMI—McFarland]
The potent R&R artist cuts loose with no holds barred in torrid tale of
a gal in search of a “rough lover.” Unrestrained vocal the kids will
love.
“PARDON ME” (2:25) [Danby BMI—Evans]
A catchy rocker is wrapped with further bursts of vocal energy by the
artist. Cute theme.
-------------------------------------------------------------------------------------------------------------
THE (Four) PREPS (Capitol 3761)
“AGAIN AND AGAIN AND AGAIN” (1:44) [E. H. Morris ASCAP — Acquaviva,
Vamick]
The group has shown impressive sellability on its previous waxing, and
this high-flying romper is due for a good sales run, too. It has
individuality, and a precise vocal attack by the combo sure to keep the
kids hopping.
“PROMISE ME BABY” (1:54) [Libjon BMI—Henley]
The boys take the rock ’n roll ballad road in a conventional vehicle.
-------------------------------------------------------------------------------------------------------------
LARRY STORCH (Roulette 4014)
“I’M WALKIN’” (2:05) [Reeve BMI — Domino, Bartholomew]
“I’m Walkin’ ”, which cashed in on the best seller lists via two
versions ,is treated to a comedy interpretation by Larry Storch. He
presents the tune as a Britisher might sing it and comes up with a very
funny reading. Could be a big seller.
“I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER” (2:05) [DeSylva,
Brown & Henderson ASCAP—Ahlert, Young]
This end has the comic satirizing on another current hit. Here he plays
the role of a Denny Dimwit type character.
-------------------------------------------------------------------------------------------------------------
JILL COREY (Columbia 40955)
“LOVE ME TO PIECES” (1:55) [Acuff-Rose BMI—Endsley]
The lark, new star of the “Hit Parade, has a rinky-dink ditty in the
vein of her recent release, “I Love My Baby.” Written by Melvin
(“Singing The Blues”) Endsley, the tune is a creation jocks should find
solid programming.
“LOVE” (2:10) [Kahl BMI Shapiro, Stallman]
A light-heared tune is fashioned by Miss Corey with verve and charm.
Cute side.
-------------------------------------------------------------------------------------------------------------
The Cash Box Award o’ the Week
LLOYD PRICE (KRC-301)
“LONELY CHAIR” (2:46) [Progressive BMI—-Price, Boskenl]
“THE CHICKEN AND THE BOP” (2:15) [Progressive BMI—Price, Boskent]
Lloyd Price, once again in the spotlight as a hit artist, comes up with
an item that bears the earmarks of another hot selling disk. The chanter
deals a slow, rhythmic jump ballad with his stylized vocalizing. Deck
has a catchy, melodic appeal and it should pick right up where “Just
Because” left off. The flip, “The Chicken And The Bop”, is a quick beat
rock that Price shouts out for a change of pace. It is the story of a
ball and the two dances, “the chicken hop” and “the bop”. Good jump wax
the kids will cotton to, but for the action it should be “Lonely Chair”.
-------------------------------------------------------------------------------------------------------------
FRANKIE LYMON AND THE TEENAGERS (Gee 1039)
“GOODY GOODY” (2:04) [DeSylva, Brown & Henderson ASCAP—Melneck, Mercer]
“CREATION OF LOVE” (2:10) [Kahl/Wemar BMI—Barrett, Weiner]
Frankie Lymon and The Teenagers have one of their strongest to date. The
youngsters take off on the rhythmic standard, “Goodie Goodie”. Lymon
reads the oldie with a swinging treatment and excellent vocal job. The
lad, better than ever, sings without that well known “teener” sound and
the deck comes off better for it. This one should be a really big
hit—both pop and r & b. Don’t lose a day with this one. The flip,
“Creation Of Love”, is a slow, drifty ballad delicately handled by the
talented Lymon. It is a tender love tune sung with feeling beyond the
years of the artist. It is hard to imagine someone as young as Lymon
could feel the emotions of a lover, but he seems to be right on top of
it. Two good sides-—but we think “Goody, Goody" is going to come out on
top.
-------------------------------------------------------------------------------------------------------------
LITTLE JOE & THE THRILLERS (Okeh 4-7088)
‘PEANUTS” (2:10) [Cranford BMI—J. Cook]
“LILLY LOU” (2:35) [Eby BMI—J. Cook]
Little Joe & The Thrillers dish up a slow beat jump, “Peanuts”, with an
unusually high pitched lead voice and a rocking support. The deck has a
number of unique sounds and a beat that is highly infectious. It is
designed to attract the ear and is sure to grab off a good sized piece
of action. Stay close to this one—it has the earmarks. The flip, “Lilly
Lou”, is a slow rhythm rocker with the teenage sound. It is a good side
that deserves attention. The lads handle it effectively. However we like
“Peanuts” for the hit side.
-------------------------------------------------------------------------------------------------------------
LITTLE WILLIE JOHN (King 5066)
“IF I THOUGHT YOU NEEDED ME” (2:42) [Real McCoy BMI—McCoy, Glover]
“YOUNG GIRL” (2:59) [Jay & Cee BMI—Toombs, Clover]
Little Willie John turns up with two strong decks back to back, either
of which could put him back into the charts. “If I Thought You Needed
Me” is a slow, swaying rhythmic ballad that showcases Little Willie
John’s big vocal talents perfectly. The singer injects a great deal of
excitement into the slow paced ballad giving it that something extra
that separates the special decks from the typical. The coupling, “Young
Girl”, is a middle beat item in the “Fever” kick. Little Willie John
wails the lyric with terrific impact. Two solid commercial offerings
that should wake up the Willie John fans.
-------------------------------------------------------------------------------------------------------------
EARL KING (Ace 529)
“YOU CAN FLY HIGH” (2:18) [Ace BMI—King, Vincent]
Earl King shouts out a quick beat rocker with his usual exciting
vocaling. King bangs out the item with strong appeal. The shouter has
lots on the ball and his personality comes through with such force that
it may kick the deck off. Watch it.
“THOSE LONELY LONELY FEELINGS” (2:21) [Ace BMI—King, Vincent]
King turns in a moving performance on a slow beat melodic ballad. Easy,
swaying styling that pleases. Two strong decks.
-------------------------------------------------------------------------------------------------------------
EDDIE BOYD (Chess 1660)
“HOTEL BLUES” (2:31) [Arc BMI — E. Boyd]
Eddie Boyd shouts out a slow blues story of quite a romantic episode
with a hotel maid. But it was only a dream and when he woke in his hotel
room he was all alone. Good vocaling by Boyd. Effective deck that could
stir up some dust.
“I GOT A WOMAN” (2:35) [Arc BMI—Boyd]
Boyd tells of his woman in Arkansas set to a slow rhythm blues beat.
Effective chanting and it should find a good reception in the southern
markets.
-------------------------------------------------------------------------------------------------------------
CHRIS KENNER (Imperial 5448)
“SICK AND TIRED” (2:15) [Travis BMI—Kenner, Bartholomew]
Chris Kenner chants a southern type middle beat tune with an exciting
beat background. Kenner does an excellent job on the vocal end and the
deck comes off with a good deal of appeal. Wax could grab off a good
sized hunk of action.
“NOTHING WILL KEEP ME FROM YOU” (1:50) [Travis BMI—Kenner, Bartholomew]
Kenner turns to a slow beat blues and gives it a feeling filled reading.
He has an individual styling that commands attention. Good side that
deserves a good look.
-------------------------------------------------------------------------------------------------------------
THE FLAMINGOS (Decca 9-30335)
“THE LADDER OF LOVE” (2:46) [Jason Music BMI—Clint Ballard, Jr.]
The Flamingos team vocal talents on a slow beat ballad pretty. Delicate,
moving reading of a dramatically arranged tune. Soft narrative in the
break done with tender and emotional projection. Big production.
“LET’S MAKE UP” (1:57) [Seabreeze BMI — Nate Nelson]
The Flamingos rock out on the flip. A quick beat jump more closely
allied with the teenage buyer. The group hits hard as it knocks out the
jump. Exciter for the kids.
-------------------------------------------------------------------------------------------------------------
THE CLEFTONES (Gee 1038)
“SEE YOU NEXT YEAR” (2:30) [Kahl BMI—Briggs, Raysor]
The Cleftones team tenderly on a school day romance. The youngsters
separate for the summer. Lilting effort waxed with soft vocal reading.
Pleasing quality. Sentimental etching designed to appeal to the boys and
girls leaving school day romances for the summer.
“TEN PAIRS OF SHOES” (2:27) [Patricia BMI—Toomey, Walker]
The Cleftones bounce merrily through a middle beat bouncer. Infectious
wax the kids can hop to.
-------------------------------------------------------------------------------------------------------------
CHUCK MARTIN (Nasco 6004)
“EMMA LEE” (1:52) [Excellorec BMI—Martin, West]
Chuck Martin delivers a rocking vocal of a quick beat jumper. Styling is
familiar as is the tune. The deck comes off ok but not overpowering.
“YEAH YEAH YEAH!” (2:07) [Excellorec BMI—Martin, West]
Chuck Martin tuns his efforts to a slow beat rhythm number on the flip
and wails effectively. Good fish beat and the kids will find it to their
liking.
-------------------------------------------------------------------------------------------------------------
OTIS RUSH (Cobra 5015)
“LOVE THAT WOMAN” (2:49) [Armel BMI—Leake]
Otis Rush wails with deep feeling as he portrays the lover who has gone
over the deep end for the lass. Slow beat, rhythmic blues given a very
strong vocal treatment. Extra strong for the deep south markets.
“JUMP SISTER BESSIE” (2:20) [Armel BMI — Dixon]
Rush ups the tempo and waxes a middle beat jump with his usual excellent
performance. Deck has an infectious rhythm and could catch on in all
markets. Watch both decks.
-------------------------------------------------------------------------------------------------------------
JAMES BROWN (Federal 12300)
“YOU’RE MINE, YOU’RE MINE” (2:31) [Amo BMI—Brown, Scott]
James Brown gives another slow beat rhythm blues a similar type vocal.
He hits hard giving each note a searing treatment. Two effective waxes.
“I WALKED ALONE” (2:38) [Armo BMI—Knox, Scott]
James Brown gives a most sincere vocal reading of a slow beat blues.
Brown digs deep into his emotions to tell his tortured story. Moving
wailing.
-------------------------------------------------------------------------------------------------------------
THE KEYNOTES (Apollo 513)
“ONE LITTLE KISS” (2:26) [Bess BMI—The Keynotes]
The Keynotes blend softly on a drifty, slow beat ballad blues. Pretty
melodic wax deftly handled by the group. Easy to listen to deck.
“NOW I KNOW” (2:20) [Bess BMI—Merenstein]
The Keynotes rack up a quick beat rocker with a zesty performance. Deck
jumps all the way and kids can go wild to this one.
-------------------------------------------------------------------------------------------------------------
RON BAXTER (Atco 6093)
“AFRAID OF LOVE” (2:39) [Progressive BMI—Pomus, Shuman]
Ron Baxter, a newcomer to wax, makes a very impressive debut on his
first Atco release. A melodic slow beat ballad performed with a tear in
his voice and top-notch vocaling. His performance gives great promise
for the future. He can go up and maintain the same excellent vocal
quality. He can bend a note beautifully. Watch this deck. It could break
out.
“DRIVING ME OUT OF MY MIND” (1:56) [Abbott Music BMI—Stone]
Baxter rocks with enthusiasm and good voice on this flip. However the
material is routine. Performer is stronger than the tune. Good teener
jump wax.
===================================================================
--
https://www.worldradiohistory.com/Archive-All-Music/Cash-Box/50s/1957/CB-1957-07-13.pdf
TONY BENNETT (Columbia 40965)
“I AM” (2:18) [Joy ASCAP—Shuman, Edwards]
“IN THE MIDDLE OF AN ISLAND” (2:05) [E. H. Morris ASCAP—Vamick,
Acquaviva]
“I Am” could be Tony Bennett’s biggest side in years. It’s a brilliant
dramatic love song which the star presents with great depth and heart.
Beautifully written composition in which the songster describes his
insignificance in the eyes of the world, as compared to his tremendous
importance in the eyes of his love. Side has a religious feeling neatly
woven into an emotional love lyric and set against a stirring
instrumental backing. Watch this superbly composed love song; it’s gotta
catch on. Bottom deck, “In The Middle Of An Island” is a Hawaiian ditty
with a rock and roll rhythm. Contagious romancer.
-------------------------------------------------------------------------------------------------------------
ANNISTEEN ALLEN (Decca 30368)
“ROUGH LOVER” (2:41) [Danby BMI—McFarland]
The potent R&R artist cuts loose with no holds barred in torrid tale of
a gal in search of a “rough lover.” Unrestrained vocal the kids will
love.
“PARDON ME” (2:25) [Danby BMI—Evans]
A catchy rocker is wrapped with further bursts of vocal energy by the
artist. Cute theme.
-------------------------------------------------------------------------------------------------------------
THE (Four) PREPS (Capitol 3761)
“AGAIN AND AGAIN AND AGAIN” (1:44) [E. H. Morris ASCAP — Acquaviva,
Vamick]
The group has shown impressive sellability on its previous waxing, and
this high-flying romper is due for a good sales run, too. It has
individuality, and a precise vocal attack by the combo sure to keep the
kids hopping.
“PROMISE ME BABY” (1:54) [Libjon BMI—Henley]
The boys take the rock ’n roll ballad road in a conventional vehicle.
-------------------------------------------------------------------------------------------------------------
LARRY STORCH (Roulette 4014)
“I’M WALKIN’” (2:05) [Reeve BMI — Domino, Bartholomew]
“I’m Walkin’ ”, which cashed in on the best seller lists via two
versions ,is treated to a comedy interpretation by Larry Storch. He
presents the tune as a Britisher might sing it and comes up with a very
funny reading. Could be a big seller.
“I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER” (2:05) [DeSylva,
Brown & Henderson ASCAP—Ahlert, Young]
This end has the comic satirizing on another current hit. Here he plays
the role of a Denny Dimwit type character.
-------------------------------------------------------------------------------------------------------------
JILL COREY (Columbia 40955)
“LOVE ME TO PIECES” (1:55) [Acuff-Rose BMI—Endsley]
The lark, new star of the “Hit Parade, has a rinky-dink ditty in the
vein of her recent release, “I Love My Baby.” Written by Melvin
(“Singing The Blues”) Endsley, the tune is a creation jocks should find
solid programming.
“LOVE” (2:10) [Kahl BMI Shapiro, Stallman]
A light-heared tune is fashioned by Miss Corey with verve and charm.
Cute side.
-------------------------------------------------------------------------------------------------------------
The Cash Box Award o’ the Week
LLOYD PRICE (KRC-301)
“LONELY CHAIR” (2:46) [Progressive BMI—-Price, Boskenl]
“THE CHICKEN AND THE BOP” (2:15) [Progressive BMI—Price, Boskent]
Lloyd Price, once again in the spotlight as a hit artist, comes up with
an item that bears the earmarks of another hot selling disk. The chanter
deals a slow, rhythmic jump ballad with his stylized vocalizing. Deck
has a catchy, melodic appeal and it should pick right up where “Just
Because” left off. The flip, “The Chicken And The Bop”, is a quick beat
rock that Price shouts out for a change of pace. It is the story of a
ball and the two dances, “the chicken hop” and “the bop”. Good jump wax
the kids will cotton to, but for the action it should be “Lonely Chair”.
-------------------------------------------------------------------------------------------------------------
FRANKIE LYMON AND THE TEENAGERS (Gee 1039)
“GOODY GOODY” (2:04) [DeSylva, Brown & Henderson ASCAP—Melneck, Mercer]
“CREATION OF LOVE” (2:10) [Kahl/Wemar BMI—Barrett, Weiner]
Frankie Lymon and The Teenagers have one of their strongest to date. The
youngsters take off on the rhythmic standard, “Goodie Goodie”. Lymon
reads the oldie with a swinging treatment and excellent vocal job. The
lad, better than ever, sings without that well known “teener” sound and
the deck comes off better for it. This one should be a really big
hit—both pop and r & b. Don’t lose a day with this one. The flip,
“Creation Of Love”, is a slow, drifty ballad delicately handled by the
talented Lymon. It is a tender love tune sung with feeling beyond the
years of the artist. It is hard to imagine someone as young as Lymon
could feel the emotions of a lover, but he seems to be right on top of
it. Two good sides-—but we think “Goody, Goody" is going to come out on
top.
-------------------------------------------------------------------------------------------------------------
LITTLE JOE & THE THRILLERS (Okeh 4-7088)
‘PEANUTS” (2:10) [Cranford BMI—J. Cook]
“LILLY LOU” (2:35) [Eby BMI—J. Cook]
Little Joe & The Thrillers dish up a slow beat jump, “Peanuts”, with an
unusually high pitched lead voice and a rocking support. The deck has a
number of unique sounds and a beat that is highly infectious. It is
designed to attract the ear and is sure to grab off a good sized piece
of action. Stay close to this one—it has the earmarks. The flip, “Lilly
Lou”, is a slow rhythm rocker with the teenage sound. It is a good side
that deserves attention. The lads handle it effectively. However we like
“Peanuts” for the hit side.
-------------------------------------------------------------------------------------------------------------
LITTLE WILLIE JOHN (King 5066)
“IF I THOUGHT YOU NEEDED ME” (2:42) [Real McCoy BMI—McCoy, Glover]
“YOUNG GIRL” (2:59) [Jay & Cee BMI—Toombs, Clover]
Little Willie John turns up with two strong decks back to back, either
of which could put him back into the charts. “If I Thought You Needed
Me” is a slow, swaying rhythmic ballad that showcases Little Willie
John’s big vocal talents perfectly. The singer injects a great deal of
excitement into the slow paced ballad giving it that something extra
that separates the special decks from the typical. The coupling, “Young
Girl”, is a middle beat item in the “Fever” kick. Little Willie John
wails the lyric with terrific impact. Two solid commercial offerings
that should wake up the Willie John fans.
-------------------------------------------------------------------------------------------------------------
EARL KING (Ace 529)
“YOU CAN FLY HIGH” (2:18) [Ace BMI—King, Vincent]
Earl King shouts out a quick beat rocker with his usual exciting
vocaling. King bangs out the item with strong appeal. The shouter has
lots on the ball and his personality comes through with such force that
it may kick the deck off. Watch it.
“THOSE LONELY LONELY FEELINGS” (2:21) [Ace BMI—King, Vincent]
King turns in a moving performance on a slow beat melodic ballad. Easy,
swaying styling that pleases. Two strong decks.
-------------------------------------------------------------------------------------------------------------
EDDIE BOYD (Chess 1660)
“HOTEL BLUES” (2:31) [Arc BMI — E. Boyd]
Eddie Boyd shouts out a slow blues story of quite a romantic episode
with a hotel maid. But it was only a dream and when he woke in his hotel
room he was all alone. Good vocaling by Boyd. Effective deck that could
stir up some dust.
“I GOT A WOMAN” (2:35) [Arc BMI—Boyd]
Boyd tells of his woman in Arkansas set to a slow rhythm blues beat.
Effective chanting and it should find a good reception in the southern
markets.
-------------------------------------------------------------------------------------------------------------
CHRIS KENNER (Imperial 5448)
“SICK AND TIRED” (2:15) [Travis BMI—Kenner, Bartholomew]
Chris Kenner chants a southern type middle beat tune with an exciting
beat background. Kenner does an excellent job on the vocal end and the
deck comes off with a good deal of appeal. Wax could grab off a good
sized hunk of action.
“NOTHING WILL KEEP ME FROM YOU” (1:50) [Travis BMI—Kenner, Bartholomew]
Kenner turns to a slow beat blues and gives it a feeling filled reading.
He has an individual styling that commands attention. Good side that
deserves a good look.
-------------------------------------------------------------------------------------------------------------
THE FLAMINGOS (Decca 9-30335)
“THE LADDER OF LOVE” (2:46) [Jason Music BMI—Clint Ballard, Jr.]
The Flamingos team vocal talents on a slow beat ballad pretty. Delicate,
moving reading of a dramatically arranged tune. Soft narrative in the
break done with tender and emotional projection. Big production.
“LET’S MAKE UP” (1:57) [Seabreeze BMI — Nate Nelson]
The Flamingos rock out on the flip. A quick beat jump more closely
allied with the teenage buyer. The group hits hard as it knocks out the
jump. Exciter for the kids.
-------------------------------------------------------------------------------------------------------------
THE CLEFTONES (Gee 1038)
“SEE YOU NEXT YEAR” (2:30) [Kahl BMI—Briggs, Raysor]
The Cleftones team tenderly on a school day romance. The youngsters
separate for the summer. Lilting effort waxed with soft vocal reading.
Pleasing quality. Sentimental etching designed to appeal to the boys and
girls leaving school day romances for the summer.
“TEN PAIRS OF SHOES” (2:27) [Patricia BMI—Toomey, Walker]
The Cleftones bounce merrily through a middle beat bouncer. Infectious
wax the kids can hop to.
-------------------------------------------------------------------------------------------------------------
CHUCK MARTIN (Nasco 6004)
“EMMA LEE” (1:52) [Excellorec BMI—Martin, West]
Chuck Martin delivers a rocking vocal of a quick beat jumper. Styling is
familiar as is the tune. The deck comes off ok but not overpowering.
“YEAH YEAH YEAH!” (2:07) [Excellorec BMI—Martin, West]
Chuck Martin tuns his efforts to a slow beat rhythm number on the flip
and wails effectively. Good fish beat and the kids will find it to their
liking.
-------------------------------------------------------------------------------------------------------------
OTIS RUSH (Cobra 5015)
“LOVE THAT WOMAN” (2:49) [Armel BMI—Leake]
Otis Rush wails with deep feeling as he portrays the lover who has gone
over the deep end for the lass. Slow beat, rhythmic blues given a very
strong vocal treatment. Extra strong for the deep south markets.
“JUMP SISTER BESSIE” (2:20) [Armel BMI — Dixon]
Rush ups the tempo and waxes a middle beat jump with his usual excellent
performance. Deck has an infectious rhythm and could catch on in all
markets. Watch both decks.
-------------------------------------------------------------------------------------------------------------
JAMES BROWN (Federal 12300)
“YOU’RE MINE, YOU’RE MINE” (2:31) [Amo BMI—Brown, Scott]
James Brown gives another slow beat rhythm blues a similar type vocal.
He hits hard giving each note a searing treatment. Two effective waxes.
“I WALKED ALONE” (2:38) [Armo BMI—Knox, Scott]
James Brown gives a most sincere vocal reading of a slow beat blues.
Brown digs deep into his emotions to tell his tortured story. Moving
wailing.
-------------------------------------------------------------------------------------------------------------
THE KEYNOTES (Apollo 513)
“ONE LITTLE KISS” (2:26) [Bess BMI—The Keynotes]
The Keynotes blend softly on a drifty, slow beat ballad blues. Pretty
melodic wax deftly handled by the group. Easy to listen to deck.
“NOW I KNOW” (2:20) [Bess BMI—Merenstein]
The Keynotes rack up a quick beat rocker with a zesty performance. Deck
jumps all the way and kids can go wild to this one.
-------------------------------------------------------------------------------------------------------------
RON BAXTER (Atco 6093)
“AFRAID OF LOVE” (2:39) [Progressive BMI—Pomus, Shuman]
Ron Baxter, a newcomer to wax, makes a very impressive debut on his
first Atco release. A melodic slow beat ballad performed with a tear in
his voice and top-notch vocaling. His performance gives great promise
for the future. He can go up and maintain the same excellent vocal
quality. He can bend a note beautifully. Watch this deck. It could break
out.
“DRIVING ME OUT OF MY MIND” (1:56) [Abbott Music BMI—Stone]
Baxter rocks with enthusiasm and good voice on this flip. However the
material is routine. Performer is stronger than the tune. Good teener
jump wax.
===================================================================
--